Dancing is something I only dream I could pull off, but when utilizing photography, it becomes a different story altogether. By combining inspiration from Lois Greenfield (dance photography), Frank Veronsky (portrait), Denise Ippolito (creative-motion) and some street cred from DC Fahsbender, this has become my second attempt at shooting dancers. To give you a small snippet of what this involves, I would like to break it down for you. The recipe… throw 6 professional dancers into a narrow but high ceiling bowl (room) is key, as they need room to breathe (jump). Next, set up lighting and camera… the camera is very old school, meaning you get only one click before you have to reset the shutter… this is where personal taste and timing come into play. Tether this camera to a computer with a screen to sample (view) the results. As you can see, there are a lot of ingredients that are needed, including the right combination of music, movement and intuition.
Magic seems to happen when you start to feel both the music and a dancer’s interpretation. Timing, and an awareness of what will happen next, is what turns an almost shot into a perfect capture. This capture is what is very hard to connect with, as it only appears in milliseconds. If you could see my out-takes, you would fully understand how fleeting this is. The joy I get, is interacting with the dancers to create that moment. With no background in dance, I have to rely on my quick finger and an eye for composition.
When finished, I am able to open up the captures in my digital darkroom and discover what a dancer’s movements have created. Their forms react to the environment, and with a leap, twist or spin, their human core emits a note that is just as perfect as when played on an instrument. That sound (moment) is caught and then processed to create my own composition. I hope my photographs help you both see and hear the beauty in LIFE’s dance.